The name is set up in the memory of those of us who grew up in the late 1980s and nineties. Then there is another name, Bangladesh Betar. The cosmic waves were caught on the instruments of various songs of him in the middle of the day.
Our childhood, youth and teenager life was full of his voice, basically of his romantic Melody songs. The romantic Melody song is sung by many other male artists in Bangladesh. There are also many popular songs sung by various artists from Bangladesh. But we cannot explain why Majarul Islam of Betar only called him the melody king. But that adjective doesn’t seem to be wrong.
Yes, there are others like the lyricist, composer or director of the film of those songs is equally credited. With all due respect to them, don’t know how those songs only belong to Andrew Kishore only.
The role of film industry is enormous in the spread of music and fashion. Andrew chose the medium as his own field of work. He was successful there. Maybe the most successful one. In the nineties, when the era began of the popularity of the solo album, his solo album was still hand-counted.
He then joined Runa Laila, Sabina Yasmin or Konakchapa or Baby Naznin or other artists to sing songs for albums. At the same time, he was still the flag bearer of film industries music. Is there any more popular singer in the world of Bangladeshi film as a solo artist? It needs to be researched. But, you know, the answer is No.
